On 2 November, the CFDA Fashion Awards 2026 will take place in New York at the American Museum of Natural History: here's what you need to know before the evening.
Mikio Sakabe stages "Cheers!" at Laforet Museum Harajuku, turning Japanese "fancy" subculture and mall aesthetics into a precise argument against professionalism.
From the looms of the Outer Hebrides to its workshop in Fife, Fyfe Golf turns Harris Tweed, waxed canvas and tartan into made-to-order golf accessories.
On 16 October W Korea, a fashion monthly published under licence by Doosan Magazine, ran a piece by Jin Jung-ah headlined "This autumn, choose the purple knit instead of the brown one", under the standfirst "purple, which has become the new normal".
At the Noguchi Award the museum honours an artist a decade inside Noguchi's work and a designer who never met it: method makes the heir, not contact.
Our review of Paris Fashion Week spring/summer 2027: sheer fabrics and a practical wardrobe, but colour stayed anchored to black. The numbers from 63 shows and 3,189 looks.
Tommy Fleetwood wore it at Augusta without a contract or announcement. From Stockholm, Late Nine brings wool, knitwear and classic proportions back into golf, building its identity outside the performance-led language that dominates the game.
After ten years at the helm of Saint Laurent, Anthony Vaccarello leaves the house without an official explanation. His departure comes with the brand back in growth, a final Trocadéro show behind him and a decade that changed the scale, image and weight of the maison.
For SS27, Uma Wang builds directly on the body, allowing imperfection into the process and turning asymmetry, draping and cutting errors into a method of tailoring. A collection where balance and precision no longer depend on symmetry.
The spring/summer 2027 collection Enfants Riches Déprimés showed in Paris confirms the reference the house rests on and at the same time moves where that reference sits, because to us rawness stops being a quotation and becomes the method by which the clothes are made.
Sacai's spring/summer 2027 is where a reset becomes visible, and what Chitose Abe has moved is the way she assembles a look rather than the material that look is made of.
Gallici inherited a house looking for steadiness, and here he supplies it. The founder's codes are all in place, the black, the white, the dark romance, the sharp tailoring, but they pass through a hand that does not trace over them.
